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  • “Welcome back from the field! Now where’s my turkey pot pie?”

    February 14th, 2005

    “Suppose one of you has a servant who is plowing or looking after the sheep. When he comes in from the field, do you tell him to hurry along and eat his meal? Of course not! Instead, you say to him, ‘Get my supper ready, then put on your apron and wait on me while I eat and drink; after that you may have your meal.’ The servant does not deserve thanks for obeying orders, does he? It is the same with you; when you have done all you have been told to do, say, ‘We are ordinary servants; we have only done our duty.’”
       –Luke 17:7-10

    Coming across these verses in sunday-school bible study*, I thought that Jesus was being a bit of a prick. Some of that, I guess, is because we have a different perspective on what constitutes “hard work” these days. If I asked someone to please put a cover sheet on their TPS reports, and they put a cover sheet on their TPS report, would I thank them?

    Damn right I would, come to think of it! Well, maybe Jesus was just a jerk more of a stern middle-manager than I am. Anyhow, where I was going with this was that I used to get told all the time “Oh, John, you’re going to make such a wonderful father!” every time I’d astonish a kid by magically pushing a salt shaker through a table*** or perform the Whirling Dervish of Doom with a five-year-old, which always elicits hysterical laughter and sometimes puking.

    So I was pretty confident that I’d be a good father, only to discover that all the things that I was getting praised for have NOTHING WHATEVER TO DO WITH BEING A GOOD PARENT. I was a pretty good Dangerous Uncle, or whatever (look! he shoots fireballs from his hands using flash paper! He knows which part of town sells fake ID!) and I’m right up there in the top tier of summer camp counselors, if I do say so myself, but it turns out that fatherhood is almost exactly unlike being a Dangerous Uncle.

    For one thing, all the glory you get for entertaining a group of five-year-olds for a couple of hours is nothing. NOTHING, even when compared to taking care of one happy baby for fourteen hours straight. The most I’ve ever done is eleven hours straight, and I was just about crying with nervousness and general strung-out-i-tude by the end of it. Why, I can’t say exactly, but there’s something about just being the One In Charge with nobody to talk to that depletes a small but vital part of the brain. And, with a baby, that part of the brain rarely gets recharged. Then there’s the whole lack-of-sleep thing. Plus, most of the work is not glamorous. Planning what to eat for the next five days does not elicit storms of giggles; doing laundry consistently earns no brownie points; washing the sink for the eighteenth time in three days is not something that you get complimented on.

    So, I’m only about the trillionth parent to come to learn what parenthood is really all about. I do believe that I am a good father, even though so far I have not had occasion to emit even one fireball. I am humbled, however, by the amount of work that Kate does — she’s home twelve hours a day to my four — and how the mental burden of being a mother seems to be like the mental burden of high-altitude climbing. None of what you’re doing would be particularly onerous by itself, but when you’re doing it for the thousandth time on sixty percent of your mental capacity, each washing of the sink becomes a difficult act of grace.

    So: to my parents, who worked really hard to feed me healthy food: thank you. And to my wife and co-parent, who does the lion’s share of the baby work: thank you. And to my baby: hang on, let me just wash the sheep smell off my hands and get my apron on, here.

    * Until I was six, my parents were parapsychological investigators, then the whole group became pentecostal christians, plus I went to Quaker school (theologically, modern Quakers are like Unitarians, but with older buildings and fewer purple healing crystals.) So my religious background is eclectic. I was an evangelical christian through high school, and even got some summer jobs in college flying around the country doing Christian stuff and some preaching. Then I went to seminary to get my head straight, and decided I was an atheist, though the “a” word has connotations of humorless, professorial types who carry string cheese snacks around in sandwich baggies**.

    ** Of course, the “c” word has connotations of humorless, pale minivan-drivers who tuck in their t-shirts and put passive-aggressive stickers on their bumpers, so what are you going to do? Become a gnostic and have fun at late-night velvet-robe drinking parties, I suppose.

    *** You put a paper napkin over it, then move the napkin off the edge of the table so the salt shaker falls into your lap, leaving the shape of the shaker in the napkin. Then you smash the napkin flat, yelling “Banzai!” or “Elvis!” or whatever. This trick has not come in useful ONCE so far, and I’m sure that it will only be a source of horrible embarrasment to Lydia later in life.

  • The shoe-leather markup

    February 11th, 2005

    A couple of years ago, in a burst of enthusiasm for Geocaching, I stopped at an Army-Navy store on 30th street and asked if they carried ammo cans. The guy behind the counter, a tall West African guy, nodded sagely, then ran out the front door. Five minutes later, as I was just about to leave, he came back panting with two ammo cans and quoted me a price that was just about five bucks more than the going rate. I knew that some standard garment-district sleight-of-hand was going on, but it was a bird in the hand.

    I’m not sure that it should even be called “sleight of hand”, anyhow: I wanted ammo cans, he got some ammo cans, we negotiated a price. It’s just not the way you normally do business in the States.

    Today, I stopped by the same store on the way to the train to get a couple more cans (I want to make a waterproof housing for the hidden FM transmitters that will broadcast upcoming guerilla drive-in showings, as well for the projector’s transmitter), and saw the same guy sitting behind the desk. “Got any ammo cans?”

    He shook his head apathetically. “Nooo. Go to Sixth Avenue, between thirty, thirty-first.”

    So that answers two questions: where the first set of marked-up ammo cans came from (I had envisioned a basement cache), and how far he had run the first time (about a mile, round-trip.) No wonder he was tired!

  • Guerilla Drive-In Update: No @#$@# Disney films outdoors!

    February 10th, 2005


    I’m now the proud owner of a gently-used Eiki 16MM film projector, which I intend to use to actually have some Guerilla Drive-In showings this spring and summer. I’ve gotten inspired again after looking at the images thrown by 16MM projectors, and how incredibly cool and summer-y they are. I plan on cobbling together a low-power FM transmitter to connect to the projector’s audio-out jacks, then seeing if I can get enough power to drive the projector from a portable generator. If so, then we’re in business!

    I’ve also been learning about the world of non-theatrical motion picture distribution, which is… complicated. there are two major distributors, each of which seem to have exclusive rights to particular studios. The rules are copious and exacting, the fees are stiff, and the whole thing generally seems to be a big pain in the ass. (For one thing, you have to figure out what customer stream you fit in: “scholastic”, “hospital”, “motorcoach”, “correctional/prison”, “other”. That’s some distinguished company.

    No wonder my buddy Wes Modes in Santa Cruz shows digital movies on an LCD projector, and doesn’t even mention rights in his Do-it-yourself page. But I want to be 110% legit and above-board, even though that means — get this — NO DISNEY MOVIES. Apparently, no Disney movies can be shown outdoors, for reasons known only to them. Okay, so I can’t show “The Incredibles”, no problem. But that also means I can’t show “Herbie: The Love Bug”, either. F#$@ing mouse.

    Anyhow, I found out the deal for getting a 16MM print from Lois at Swank, who is very helpful and returns dumb email questions in, like, ninety seconds (the industry seems to be a funny mix of totally unwired and really wired — maybe it’s all the college activities groups.) Here’s the deal:

    • The movie has a “catalog price”, which is about the same as an iPod Shuffle, or up to an iPod Mini for a first-run movie.
    • UPS shipping is about thirty bucks on top of that.
    • That price includes a license so you can charge admission. You can collect up to double the catalog price and keep it all. Once you make more than double the catalog price, you must give fifty percent of the proceeds to the studio.

    On the whole, that seems pretty fair, if expensive. Also, the movie comes in four or five reels, which gives the opportunity for intermissions. Also, 16MM has a square aspect ratio, unlike the letterboxed “anamorphic” wide format of 35mm films. Which means you’re looking at the “cropped for TV” version, unless you can get something in 16MM “scope” format, which has been squoze down, and you re-inflate back to widescreen using an anamorphic lens which you purchase on eBay for sacks of rubies.

    Phew! If you’ve read this far, you now know as much about showing 16mm films outdoors as I do. I’ve been making plans with Swank to rent Ferris Bueller’s Day Off and show it to friends and neigbors in West Chester as a test of the projector and the FM transmitter. If that works out, I’m gonna start planning films in earnest, with reference to the 2005 phases of the moon. Smokey and the Bandit is a sure thing, as is Red Dawn. The Bad News Bears go to Japan is out, as it’s a Disney film. F#$@ing mouse.

    Film suggestions are welcome! Next, I’ve got to make some progress on getting a sidecar to carry the projector and the generator, and the film cans. And the popcorn maker.

  • Testing Flickr’s MovableType interface

    February 9th, 2005



    2005-02-09 010

    Originally uploaded by tikaro.

    This is a test of Lydia saying “Uh-OOOOOH”, which she likes to do while making a suckerfish face. It’s pretty damn cute. Anyhow, I’m trying to blog this using Flickr’s hook to MovableType. Let’s see if it works!

  • The center CAN hold, and WILL, damn it!

    February 9th, 2005

    I managed to blow my blog away last week, in the process of trying to get a big-chair development environment set up:

    LOCAL LAPTOP:
    Eclipse connects to a Subversion repository on the central server, checks out files to a local Apache 2 wwwroot, where PHP talks to a local MySQL database. When dev work is complete, the files are checked back in to the central repository.

    CENTRAL SERVER:
    An ANT build task checks out the Subversion HEAD revision to an Apache 2 wwwroot, where PHP talks to the MySQL database.

    Theoretically, I should be able to fire up eclipse, make changes and immediately browse the changes using my local WAMP (Windows-Apache-MySQL-PHP) environment. Then I should be able to commit my changes, trigger the ANT build task, and see the changes immediately reflected in the production LAMP (Linux-Apache-MySQL-PHP) environment. Automated deployment is cool, no doubt about it; you can view source on this test page and see Ant’s build timestamp in the comment at the bottom of the page. At least, that’s how it should work in theory.

    In theory, theory is the same as practice, but not in practice. PHP and MySQL have both made small-watershed changes, and I forgot that I had newer versions running on my central server that on my local machine, with the result that PHP’s db-abstraction utility PEAR worked just fine on the production site, but not locally. When I changed the access method, it worked fine locally, but not on production. #@#$@!! So I chose a version of PHP and MySQL to standardize on, blew away my local install of MySQL, blew away my central install of MySQL, and…

    Oh, crap. That database held my blog. And no, I don’t back up to tape. And yes, I did conscientously go in and scrub everything out of /var/lib/mysql. I left no stone standing upon any other stone. I razed the buildings and salted the earth.

    All was not lost, fortunately — I only migrated from Blogger about two months ago, so I just re-exported all 475 posts from there and slurped them back into MovableType (though I did lose comments in the process.) Then I re-created my six posts since then by copying the HTML out of the static pages that still existed. But there’s a hell of a lot to be said for having someone else maintain your important stuff.

    And nightly backups.

  • “The Greatest Generation” seems to apply to spaniels, too.

    January 25th, 2005

    In June of 2000, after my great-grandfather’s second wife had passed away, leaving behind many of his personal effects, I came into possession of an Army Signal Corps photograph of him in full regalia (I think he used to call it the “bus driver photo.”) When I pulled the picture out of the frame, I found a number of other things in there, including a strangely affecting photo of a glossy black spaniel, together with a newspaper clipping that told of “Moppet’s” loss and the priceless wartime rations that were offered for his return.

    The photograph was a beautiful studio job, even retouched in spots to touch up Moppet’s fur and add highlights to his (her?) eyes. On the back was stamped the photographer’s credentials: “GEORGIA ENGELHARD, 1211 Madison Avenue, New York, NY.” I had envisioned a posh pet-photography studio, someplace with wall-to-wall carpeting, a piano in the waiting room, and a small table holding scotch in the corner, where overstuffed society matrons went to have their lap dogs photographed by fawning, sycophantic women in severe mouse-gray suits.

    Boy, was I wrong.

    As you can see from the comment on my “male pantheon of Tikaro” post below, a kind reader named Rosalie let me know that: “I would hang on to the photo — Georgia Engelhard was a fairly famous person in the 20’s — Alfred Stieglitz’s niece, named for Georgia O’Keefe & a daring mountain climber. Google her for more.”

    So I did, and I found out that:

    “Engelhard often enjoyed a privileged place in Stieglitz’s household where she was referred to as “the Kid” or “Georgia Minor” to avoid confusion with Georgia O’Keeffe. As a child she often painted alongside O’Keeffe, and Stieglitz exhibited her drawings and watercolors at his 291 Gallery when she was only 10 years old. In her early twenties she won prizes for her equestrian skills in international competition and became an accomplished mountain climber, scaling many of the major peaks in the Rockies and the Alps.”

    It turns out that Moppet’s immortalizer starred in a 1932 film titled “She Climbs to Conquer“, and is featured in a recent book entitled
    Rebel Women, which I’ve just ordered from Amazon. There are also more
    pictures
    of her out there, all seeming to underscore the Fitzgerald-ian mythos: this is a woman that a Gatsbyan would have fallen completely (and probably unrequitedly) in love with. Was the pet photography a wartime sideline, or was my great-grandfather’s wife good enough pals with this mountain-climbing ball of fire to convince her that Moppet was a good character study?

  • Freud, Lacan, Leviticus, and Vincent Price

    January 17th, 2005

    I am blessed with a hip and talented family. In addition to my UFO-hunter father written about below, I will now brag about the following other men in my family*:

    • My father-in-law. ‘Nough said.
    • My brother-in-law Matt can make a flawless Billy Idol sneer (additional points for difficulty when doing so while wearing a sombrero.) He’s also bringing punk to mod, at long last.
    • My step-brother Sam owns three Unimogs, and can select which of several different welding rigs from his arsenal to use for any particular job. When I first met him (we were both teenagers), he did this thing where he put the family cat on his head like a Napoleon hat and strutted around muttering about Jena and Waterloo.
    • My step-brother Oliver is an artist who moved out of Hollywood when his growing reputation and the whirlwhind of parties and starlets, interfered with his art. Now he lives in Milwaukee on the floor of his studio and paints legit. He also doesn’t have a driver’s license.

    Today, however, the crowning male achievement in my family is my brother-in-law Tony’s Master’s thesis, “Abject Thriller”, a scholarly work examining the role of the abject in Michael Jackson’s famous werewolf video:

    “Within the chorus of Michael Jackson’s “Thriller” a certain ambiguity quickly asserts itself. Who is fighting for their life inside a killer tonight? Who is the beast about to strike? It is precisely because of this ambiguity that it would be difficult to find a more apt subject than Michael Jackson’s video “Thriller”, in order to explore notions of abjection. Little did one realize in 1982, that Jackson’s own career and iconic status would acquire much of the dark transformational tone that his ground-breaking video established.”

    Now, while offbeat theses written by your relatives is one of the things a blogger prays for, Tony’s thesis has way more than entertainment value. He makes the following excellent points:

    1. These days, parts of Thriller can be seen as a metaphor for Michael Jackson’s subsequent life and career. Certainly, the themes in the video seem to be the central themes in Jackson’s life.
    2. Abjection is a desparate, transformative state, breaking the bounds of culture, social norms, even mental organization. It’s like being…. a werewolf!
    3. There are zombies in the video, but where are the vampires? Nowhere, probably because vampires tend to be self-controlled. Zombies and werewolves have no control over themselves or their urges

    Tony does a great job of examining the role of gore in the video (and in pop culture), even quoting Leviticus to examine the dichotomy between “clean” and “unclean” and how Jackson’s gross, nail-growing transformations represent a cathartic (and repeated) breach of this divide. And then Jackson looks over his shoulder at us, the viewer, with glowing zombie eyes, asking for our tacit — or active — participation.

    EEEEwwwwwwww!!!


    * Limiting to the men will keep it shorter.

  • My Own Doc Emmet Brown. With Mind Lasers.

    January 11th, 2005

    When I am old, and I pad my life story with outrageous lies designed to make my grandchildren think that I was a cross between Tom Swift and the Last of the Pirate Fighters*, there are a few stories that I won’t have to make up. Like how, when I was young, my dad was a professional UFO hunter, and how I would sometimes spend evenings at the undisclosed location of The Site in the foothills of Austin, Texas.

    Project Starlight, as the group was named, was led by Ray Stanford, who is a really interesting guy. The group looked for UFOs, partly through psychic phenomena (hey, that seemed as reasonable in the seventies as the possibility of nanobot takeover did in the nineties), and partly by attempting contact through beaming laser messages and mathematically-encoded circles of floodlights aimed heavenwards. Here’s an excerpt from an article published in Texas Monthly, in February 1976:

    “Let us review the purpose of all this equipment, which is known collectively as UFO/VECTOR (UFO/Video Experiment Console for Transitional Overt Response). Let us postulate a UFO hovering over the hills west of Austin looking for action. As soon as it is sighted, the PSI crew, each in a white suit, each with a penlight in his or her pocket, will scramble. They put on their radiation goggles; the magnetometer bleats; the light circle flashes pi pi pi; from three coordinated camera positions 35mm still telephoto pictures are taken; video signals are recorded; video data is transmitted; through the photomultiplier photos are, uh, multiplied; a soon-to-be-installed gravitometer records any gravitational effects the spacecraft might be producing; a parabolic dish with a microphone attached records the sound.”

    Anyhow, you can see pictures of me hanging out at The Site, with the UFO/VECTOR equipment in the background, and lots of skinny men in tight sweaters standing around gravely examining it. (My mom shot photos for the article; I think the photos of me are from that set.)

    A year or so ago, I asked my dad what he had heard about Ray, and he said that Ray was interested in dinosaurs, and had put together an outfit called “Cretaceous Tracker”, which made me fervently hope that Ray was traveling to inner Brazil in search of a Lost World plateau. Nope, Ray was legit, and has been spending time looking in Maryland streambeds for dinosaur tracks. Just this week, national newswires have been carrying the news that Ray recently published a find of some importance. Rock on, Ray!

    Of course, Ray seems to have his share of skepticism (and sour grapes?), as his past is more… eclectic than many paleontologists (Cleveland Museum of Natural History flame 1 flame 2.) Ray’s 1974 plans for a time-travel device — the Hilarion Accelarator — seem in particular to strike a nerve with staid Ohio rock-hammer types.

    Anyhow, I have fond memories of Ray, and the time he used to take to describe to me how a Star of David inscribed in a circle is actually a geometrically precise way to assign the loci of plasma-carrying propulsion lasers for interstellar drives (hence the importance of this sign to ancient religions.) Also, once when I was waking up screaming a lot in the middle of the night, Ray staked our house out from the middle of the street, and detected that “an entity” was shambling up out of the sewage ditch across the street and heading for my nursery wall every night, which was causing the yelling. Yikes! Ray “directed some psychic energy” to disperse the entity, solving the problem (and the night waking, apparently.)

    Now, wherever that story moves the needle to on your bullshit detector, you have to admit that having a psychic-warrior mad-scientist uncle type who was willing to stake out your bedroom like a cop and fight ghosts with mind lasers is pretty damn cool. Thanks, Ray! Congratulations on the find!

    The full article on Project Starlight is available from Texas Mothly here: Texas Monthly February, 1976: “Planet X! We’re Waiting For You!”


    * It is my fervent hope that, when the granchildren check my references, that Kate will say “Why yes, dear, your grandfather did win my hand from my father, the bloodthirsty Pasha of the Ottoman Pirates** through single combat!” and clench her ivory knitting needles in her teeth with a glitter in her eye. One hopes to marry into this kind of family.

    ** I’m confident that, if asked, Kate’s dad will affirm that he used to be the bloodthirsty Pasha of the Ottoman Pirates, and that I bested him only because I swept the leg.

  • Invisible dotted lines on invisible (punctured) pipes

    December 31st, 2004

    I’ve been a fledgling furnace-fighter for two or three months, now — our 167,000-BTU Bryan hot-water boiler system in the basement is about thirty years old (it has an operating life of about twenty years, so it’s on borrowed time), and is a source of nostalgia and amusement to the contractors we’ve had in to price a replacement. One contractor laughed fondly when he saw it: “Ohhh, one of these! and (I’m not kidding) patted it like a toothless old dog. “Yeah, you’ll save a lot of money with a new boiler.”

    The problem was that our boiler was losing pressure. It’s supposed to stay steady at about 15-20 PSI, but it held at about two or three. Our fill valve (green; cast iron; kind of looks like a Korean war fragmentation grenade) isn’t working, so the system wasn’t filling itself with water. I’d add water through a hose, after being instructed how to by the Chuckling Contractor, but about four hours later, the pressure would be back down to five PSI. Overnight, back to two. I’d try to bleed the upstairs radiator (because that’s what every website tells you to do when you have a heating problem; it’s like medieval doctors and their leeches), but since the pressure was so low, the upstairs radiators sucked air instead of blowing, and I managed to quickly take several radiators out of commission.

    The loss of pressure seemed like the Mystery of the Ages to our furnace contractors, since if the pressure was dropping that quickly, they’d expect us to see a massive water leak in the house. But there was no leak. “Maybe you’ve got a crack in the boiler, and the water is boiling off. Yeah, you hear that noise?” “Um, I think that’s the TiVo fan upstairs.” “Oh”, they’d say, crestfallen.

    After several heating contractors, in a spirit of optimistic experimentation, tried filling the boiler again (and quoting a price to replace our amusing museum piece), I finally came to a realization. Heating contractors’ sphere of influence extends only as far as the actual boiler unit. The rest of the system — pipes, valves, radiators, is the Domain of the Plumber. I called our plumbers, and we quickly located the problem — a massive leak under our powder room, which is external to the foundation, and so the leak hadn’t been easy to spot. Every time I’d add ten gallons of water to the system, ten gallons would go merrily flooding into the crawlspace.

    the smoking gunThe smoking gun, as it turned out, was a hole in the heating pipe that our flooring contractor had put there only four months ago, when we had the old kitchen tile removed, a new floor laid down, and new vinyl tile laid over that. The floor-er had driven down the half-inch plywood with massive three-inch nails, probably left over from some kind of federal highway project. Of course, we had to rip up the vinyl and the floor to find the problem.

    I’d love to make our flooring contractor out as the villain of this story, but our plumber told me that there’s two kind of floor-ers; those who have already put a nail in a pipe, and those who are going to put a nail in a pipe. This opinion was borne out the next day by the carpenter we hired to re-lay the floor, who told me his own war stories about sawing through pipes (and about having to rip up freshly installed floor at the end of the day after hearing meowing sounds coming from the subfloor, on one job.)

    So, if this is a morality play, it’s hard to know what the message is. To err is human, but to really fuck up your house in a hurry, you need a contractor? The re-work is… galling, but I suppose you win some and you lose some. If the powder room floor had been laid as part of a contracted and guaranteed job, I’d be asking for my money back, but it was done as a quick “might as well” for cash under the table, so I think I’m just going to cut my losses, and hope that the money wasted here will turn out to be a cheap education later. Or something.

    Incidentally, I found out that my theory about spheres of influence in the house was right. Troy, our plumber, commands a body of knowledge both broad and deep — but, to him, our boiler is just a gray box with a gauge on the front. The dotted line separating worlds is a very visible bolted flange about six inches above the boiler box, where one specialty ends and another begins. The same is true of roofs and gutters, of chimneys and chimney liners, of painting and plastering.

  • …aaand a Vespa in the drive-way!

    December 26th, 2004


    It’s freaking cold here in West Chester the past couple of days: in the mornings, there’s frost on the inside of the storm windows (which means something less than good about the condition of our weatherstripping, I’m afraid.)

    Christmas morning, Kate and I bundled the baby up in a blanket and dashed, in our slippers, past nine burned-out luminaria next door to her parents’ house, where there’s a fire in the fireplace and a big plate of english muffins and bacon in the kitchen. Kate’s brother Matt and his girlfriend Kristen descended from the hipster stratosphere (he’s in a mod band, she manages a store in Soho) to find that Bob had fixed up a wonky clutch cable on Matt’s Vespa and put it, with a big red bow, just outside the door. When Matt saw it, he whooped, hollered, and took it for a ride around the block, shag haircut streaming out in the sub-zero temperature, Kristen riding gamely on the pillion. It’ll make the trip to the East Village, where it’ll become a cafe racer (well, cruiser) once again.

    The three days around Christmas have been a whirl of family activities, and I find myself saying the same things I’ve heard a million times at family functions coming out of the mouths of other new dads: “oh, she’s a little cranky because she’s missing her nap.” Life is wonderful, and exhausting, and holiday meals are now consumed at higher speeds, in shorter bursts, usually because of the reach-y baby sitting one one knee.

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